Ricercare in C Major
At first, I was trying out various inverted versions of the original exposition, but they didn't really work out: This subject demanded it's own special treatment. When I finally figured out what it "wanted" to do, it ended up working in C major starting out on the lowest F on the guitar. I was still able to incorporate inverted elements of the final fugue's exposition - so it is obviously organically related to that fugue - but the exposition is quite unique, as you can see. Since it is so unusual, I decided that it would be more appropriate to call it a Ricercare, which implies a degree of freedom beyond the stricter fugue.
The result is that I ended up shuffling the movements of Sonata Zero around yet again: It will now be laid out as Extempore, Ricercare, Scherzo, and Fugue, and the keys will be A minor, C major, B minor, and A minor. In terms of length, the movements will be 2:05 for the Extempore, circa 2:00 for the Ricercare, 3:33 for the Scherzo, and 2:05 for the Fugue: The entire sonata will be performable withinin a ten minute window. It will be a small fugue cycle with the Scherzo added for variety. Typical Hucbaldian approach. ;^)
This is all I have at the moment, but you can see how the exposition and first episode are related to the corresponding parts of the fugue, and yet they are quite different at the same time.
I have the first chapter of the next Convertible Counterpoint post almost ready - which covers the entire first chapter of the book - and I will probably post that sometime after midnight tonight when I get home from my gig.
I'm really thinking I'll need a vacation soon to avoid burnout.
I could make that work.
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