A Monk's Musical Musings

A Semi-Hemi-Demi-Semi-Erudite Music Theory and Guitar Blog

Saturday, December 31, 2016

Index of Fugal Science, Volumes 1 and 2

Here are the links to the complete Fugal Science series.

Volume 1:

Volume 1, Number 1: Two-Part Fugue for Solo Guitar

Volume 1, Number 2: Three-Part Fugue for String Trio

Volume 1, Number 3: Four-Part Fugue for String Choir

Volume 1, Number 4: Five-Part Grand Fugue for Orchestra

Volume 2:

Volume 2, Number 1: Two-Part Fugue for Solo Guitar

Volume 2, Number 2: Three-Part Fugue for String Trio

Volume 2, Number 3: Four-Part Fugue for String Choir

Volume 2, Number 4: Five-Part Ricercare for Orchestra

posted by Hucbald at 12:39 PM

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WHY MUSIC WORKS:

The Harmonic Series,

Musical Context, and

the Laws of Musical Motion.

    Chapter 01: The Harmonic Series

    Chapter 02: The Native Systems

    Chapter 03: The Alpha Context

    Chapter 04: Beta/Gamma Contexts

    Chapter 05: Secondary Dominants

    Chapter 06: Secondary Subdominants

    Chapter 07: The Exotic Systems

    Chapter 08: Exotic Motions

    Chapter 09: Harmonic Canon

    Chapter 10: The Alien Systems

    Chapter 11: Alien Motions

    Chapter 12: Mobius Loops

    Chapter 13: The Extra-Diatonics

    Chapter 14: Equal Temperament

    Chapter 15: Integrated Chromatics

The Ultimate Classic Guitar Arrangements Post Series

    Desert Song - Eric Johnson

    Unchained Melody - Zaret/North

    Dust in the Wind - Kansas

    Spanish Fly - Eddie Van Halen

    Gymnopedie No. 1 - Eric Satie

    A Day at the Beach - Joe Satriani

    Eu So Quero Um Xodo - Dominguinhos

    Tears in the Rain - Joe Satriani

    Yankee Doodle Dixie - Chet Atkins

    Stairway to Heaven - Jimmy Page

    Streaming Audio for All Pieces

Sonata One in E Minor

for Solo Classical Guitar

by George Alton Pepper

    I: Toccata in E Minor

    II: Sonata in A Minor

    III: Scherzo in G Major

    IV: Axial Fugue in E Minor

    Streaming Audio for All Movements

Musical Relativity Theory:

    Introduction: The Harmonic Series

    Chapter I: Tonality and Modality

    Chapter II: Root Motion Dynamics

    Chapter III: Secondary Dominants

    Chapter IV: Integrated Modality

    Chapter V: Harmonic Canons

    Chapter VI: Secondary Subdominants

    Chapter VII: Counterpoint

    Chapter VIII: Rhythm

    Chapter IX: Melody

    Chapter X: Form

    Appendix I: Harmonic Music

    Appendix II: Contrapuntal Music

    Appendix III: Melodic Music

    Epilog: Musical Philosophy

    Appendix IV: Tritone Duality

    Appendix V: Free Composition

Composing Counterpoint:

    Where to Begin

    How to Progress

    Using Larger Forms

    Using Three Voices

    Imitation and Modulation 1

    Imitation and Modulation 2

    Imitation and Modulation 3

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Previous Posts

  • Beethoven as I Knew Him, by Anton Schindler.
  • Fugal Science: Vol. 2, No. 4 - Five-Part Ricercare...
  • Fugal Science: Vol. 2, No. 3 - Four-Part Fugue for...
  • Fugal Science: Vol. 2, No. 2 - Three-Part Fugue fo...
  • Fugal Science: Vol. 2, No. 1 - Two-Part Fugue for ...
  • Fugal Science: Vol. 1, No. 4 - Five-Part Grand Fug...
  • Fugal Science: Vol. 1, No. 3 - Four-Part Fugue for...
  • Fugal Science: Vol. 1, No. 2 - Three-Part Fugue fo...
  • Fugal Science: Vol. 1, No. 1 - Two-Part Fugue for ...
  • Fugal Science, Vol. 1, No. 3: Four Voice Fugue

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